The Future is HDR

As I continue explore HDR, I now understand why many photographers believe it is the future. It is when digital photography moves beyond its analog film roots. For some it is the same as the jump from B&W to color. In the end HDR will let you capture the full visible spectrum in a single image file. This is far beyond anything film can capture. These files will be the new RAW. Today we approximate this with multiple bracketed exposures that are combined into a single “HDR” file with SW tools like Photomatrix. A new dimension of creativity and artistry comes into play as the photographer maps (tone mapping) this HDR image into a display medium.: a print, a display, etc. These media are very limited in their luminance range so this mapping is necessary. I will begin explaining more about all of this in future blogs. For now, I have included another HDR image.

This image is shot toward a sunset on the other set of these trees. There was a beautiful haze between the mountains and the trees. With HDR you can still get all the layering in the haze, but still see some detail in the tree trunks. This is close to what I saw with my eyes. The second image here while nice, is a single exposure image, exposed for the haze.
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Flower Power

I like shooting flowers. Maybe that is because I am a gardener. But it may be more than that. I love the bright colors and beautiful images you can create. My flower photography definitely took a big step forward when I took a Better Photo course from Tony Sweet on Fine Art Flower Photography. I highly recommend this course, the techniques used apply to much more than flowers. I have included a couple recent flower images on this blog. Hope you enjoy them.
The first image is simply a unique blue thistle I found at the nursery sitting by our bright orange Adirondack chair. This created a great color combination.

The second image is of three yellow lilies from the garden sitting in front of some pink peonies with an sheet of textured glass in between the camera and the lilies. To create the sharp stamens for the point of focus I shot a second image without the glass and used Photoshop layers to create the image.
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HDR Illustrative Look

I have had a little time to play with some of my recent images from Washington state. Specifically a little HDR processing. As I have noted before I use Photomatrix for processing my HDR images. One of the things you can do is use it with most of the sliders max’d out is to create a more illustrative look. This it turns out can be done with images shot for HDR (multiple exposures at different EVs) or with simple single exposure images. I have put one of each here in the blog. This first is of the Mt. Rainer train steam engine. This is a single exposure image that has been passed through Photomatrix’s tone mapping multiple times. The second is an HDR shot of an old Chevy truck it was also processed multiple times. Fun look.
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Road Trips

My wife and I like to take road trips for our vacations. We have a small T@B trailer we hitch to our pickup. We pick a general area and direction and go explore. The past two weeks we explored more of eastern and central Washington state. This included the Palouse, Spokane, Rosevelt Lake, Leavenworth and Mt Rainier areas. As usual I get up early and photograph. I have found that my success in generating strong images on the road is mixed. Not knowing the areas well it takes sometime to find good subjects at the right time of day, etc. Sometimes I feel too much pressure when trying to photograph. This is especially true when I visit some photographic hot spot for first time (Glacier NP, Yellowstone, etc). I find this eases when I get to spend at least three days at a location. It is even better if I get to return another time altogether. So I have found that I actually enjoy my morning photo sessions better when I am just out exploring some obscure place.
Has this been your experience?

I have included a couple of my trip images. The top image is classic Palouse and the bottom is a Mt Rainier reflection.

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A Tree Revisited

One of my favorite HDR nature images is one I took late last fall (early winter) of a tree surrounded by frosty blue-green grass. I have gone by that tree a couple times since. Finally I went by a couple weeks ago while the trees were blooming. The top blog image is a new HDR of that tree with spring colors all around. The second image is the original image shot in the fall. I find that I really like both of these images. As I noted before, good subjects are worth revisiting many times.

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Sunrise

As you may have notice several of the image I shot in the orchards were shot at sunrise. Sunrise is an excellent time to find great images. Throw in a little fog or mist and you are in heaven. It is often this mist or fog that distinguishes sunrise from sunset shots. I have included a couple more images shot at sunrise in this blog. The top image shows the fairy tale look you can get with a little mist. In the second image the mist spreads the red glow from the sun all around. In the final image the fog highlights the morning sun rays.

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Orchards

I found several orchards in bloom near my home. I have been working them off and on for several days. I have been there around sunset, sunrise w/wo fog. By far the most “appropriate light” for my taste was sunrise with a light fog. Without the fog, even sunrise light quickly becomes to harsh for the soft billowing look of the orchards. I use the term “appropriate light” which is a phrase I learned from Brenda Tharp’s writings. This term is all about finding the light that is right for your subject. It may or may not be sunrise or sunset light (“the golden hours”). It may be diffused light from a cloudy day or even mid-day sun (Ansel shot a lot or work then). That all said, there may more than one type of light that works well. The second image is a back lit view of an orchard which is still quite nice.
The other point of this blog entry is that if you find a good subject go back again and again – work it. I had actually decided not to go back any more this week when I saw the light morning fog. I went back and I am glad I did.
The final image uses an overlay of a sharp image and a out of focus image blended in photoshop using the difference blend mode. This has a nice fantasy look.
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Tulip Time

On my way to Silver Falls State Park here in Oregon (a beautiful park by the way) my wife and I stopped at the Wooden Shoe Tulip farm. The tulips were not quite a peak yet but some sections were in full bloom. The weather was actually pretty good at first – mostly cloudy with sun breaks. Unfortunately it turned to full sun before I would have liked. Flowers look best under diffused light 99% of the time. I did take some advantage of the direct sunlight and did a couple backbit images – one is included here. The final image is a pan of some the mult-color tulips.

Top image: For this image I got the camera down low to the ground (taking advantage of the fact that the tulip were on row mounds) . I set up the on camera flash for a little fill light(-1.0EV) and composed the shot keeping it a bit on the diagnal. In post processing I darkened some of the ground debrie and cleaned it up as needed.
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Mirrors

No this is not Photoshop mirroring again, but a more old fashioned technique – using a real mirror. Have you ever tried photographing Hellebore’s or other flowers whose blooms always face the ground? Some daffodils are like this. It can be very awkward to say the least. The lower they are the harder it gets and can be impossible.

While thumbing through my “Joy of Photography” book by Freeman Patterson he suggest in one section using a mirror placed on the ground for such occasions. Great idea. Note there are some issues with this technique. You need a very clean mirror and you have to keep cleaning it as you go – flowers have a habit of dropping pollen. Keep a brush handy. This blog image included here is an example of such an image. Works pretty well.
Blog image: While being shot in the mirror, this image of Hellebore’s has also been “hi-keyed” and a white vignette added to the edges. What does it mean to hi-key. Fundamentally you are keeping or forcing the image tones all to the light end of the histogram (digitally speaking).
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Calendar Season

Well it is time to submit images to calendar companies for the 2011 calendars (until June). I learned a bit about this in Jim Zuckerman’s “Making Money with Your Photogrpahy” course through BP. While the Photographer’s Market has a few companies listed, the better source of publishers is found via the web or at your local bookstore (later in the year though). Anyway, finding publishers for your type of work appears to be the trick. So far I have found going to calendars.com and finding calendars with my type of images in them is the best way. I would also advise keeping a record of the companies you find along with pertinent info. I am using a spreadsheet for this. Once you find a company you can generally find their submission guidelines buried on their site – I record this as well. I can tell this is going to take some work. Next will come selecting appropriate images and sending them. It is important to make sure the publisher’s markets and you images are a good fit.

Image: I found this driving along the back roads where I live. Hard to resist those colors. This should make a good calendar image. They like bright colors and you need to be able to crop it to a square if necessary.
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