I have been laid up with a cold the past few days. This always gives me time to think and maybe read (when my eyes aren’t watering up). Many times I go back to books focused on composition. One thing I have noticed is that almost all the photography books I have on composition talk about compositional elements and then the emotional impact they may have on the viewer. For example, a book will have a section/chapter on lines (or shape, light, color, etc). The author typically goes on to say something like vertical lines create a positive uplifting response where horizontal lines create a more subdued or calming response. What if we reverse this and ask “What if I want to convey the feeling or sense of love, what should I do with respect to the compositional elements?”.

I thought I might try to list all the basic human emotions and overtime answer the above question for each. However, deciding what the basic list of emotions is not straight forward. Depending on the theorist, there are 2 (happy/sad) to 11 basic human emotions with many, many more secondary and tertiary emotions.

Here are my thoughts on some elements the photographer might use to communicate the feeling of love:

1. Get in close to the subject – creating a sense of intimacy. Distance tends toward loneliness, remoteness, etc.
2. Compression – a telephoto vs a wide angle would better convey a sense of closeness vs. distance and separation.
3. Warm colors vs cool – red might be very passionate where yellow might be more just warmth. Blue and green (ocean and grass) tend toward a feeling of calm and coolness.
4. Soft focus or light – accentuate the warm glow one may feel when in love. Sharp detail may feel harsh.
5. Lines – the type of lines to used to communicate love may depend on the particular aspect of love – say the excitement of new love (straight or diagonal) or the steadiness of long standing love (curved or horizontal lines)

Those are just my initial thoughts. What comes to mind compositionally when you think of “love”?

Blog image: I find it hard to think about communicating love outside of human interaction. This image of mother and child says it all to me. Examining this image, it makes use of all of the above items.: tight intimate shot, closeness – 200mm lens, warm sepia tones and soft light. As for lines, there are strong diagonal lines giving this image an uplifting feeling.

This is just a quick post of the final images that have gone into my Autumn Tapestries. Just click on the blog image to be taken to the full body of work on my web site. Feel free to comment (each image is named).

I have been keeping busy with the many activities of the holiday season including getting ready for a busy weekend of Christmas and birthday parties. That is probably the case for many of you. As a result, I haven’t been out shooting new images so thought I would share this HDR image taken under one of the gun sites at Fort Columbia in Washington. This is one of those great places for HDR as you can tell. It was very dark in general with bright areas of light wherever there was a door or window. Both of the blog images were processed for a more surrealistic perspective. The second image was also shot with the sun behind the tower and with a wide angle lens to add to the surrealism.

HDR (High Dynamic Range photography) can make for some wonderful Christmas images. It lets you capture more of that magic light and and detail. I have included a couple images here for inspiration. I have gone with double processing in Photomatix to get that illustrative look (or also known as grunge look). This is the case for the first two images. As with all my HDR images, some additional processing is needed using Photoshop and some NikSoft (ColorEfx Pro) tools. In these images, some contrast was added, dodging or burning used to highlight some features and finally some color correction to get the look I wanted.

The Christmas tree lot image is a traditional multiple exposure HDR shot that has been double processed through Photomatix and with similar post processing in Photoshop, etc.

Just another way to capture some of the Christmas magic in your images.

What are some cool techniques you have found for capturing the magic of Christmas?

Well fall is pretty much out of here and there is very little in the way of leaves on any trees (but a few hang on). At this same time I am wrapping up my work on a Portfolio Development class with William Neill. It has been good and forced me to really focus on shooting for specific themes. Focusing on a theme forces you to think hard about ways to vary and add depth your portfolio:

I haven’t been inspired to write a lot this past week, but I did manage to find some late changing maple and oaks trees yesterday which allowed me to add to my Fall Immersion portfolio. Again for the first image I took advantage of morning back lighting to create wonderful colors and “brush strokes” . In the second image I used a slight scallop side movement to create the strokes.

I have been sick most of this week and so I haven’t been outside to grab the end of the fall season shots I had planned. Instead I have played a little in the office with things I have brought indoors for some close up work in the past weeks. Here are a couple shots of decayed Chinese lanterns taken on sheets of paper using a focused beam flashlight as the source. In the first shot the paper is actually white but taking advantage of the flashlights (and not auto-white balancing) inherent color I ended up with a very warm background. In both images I chose to go with diagonal shadows to create more dynamic images.